Statement

 

Artist and teacher. My interest focuses on images, phenomena of consciousness, perception, and the paranormal. In a nearly furtive, though involuntary way, I have approached the knowledge of gardens as devices for reflecting on life and death. I recently discovered my passion for writing, and I am drawn to the study of the spiritual and invisible ecosystem that surrounds us, as well as its connections to cosmic relations and theories of multiple dimensions.

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I deeply believe in encounters through meaningful conversations and in expanded states of consciousness. I am closely connected to La Casa del Acompañar, a space where we explore strategies for the liberation from suffering through urban-ancestral processes, where art plays an essential role.

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In my work, I explore the potential of diverse media such as video, painting, drawing, watercolor, video-performance, photography, and photographic manipulation. I conceive techniques as expanded fields of experimentation in the service of a question, a fissure, or a condensation of meaning.

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I am interested in exploring universal themes from a personal perspective. My practice revolves around creation and research connected to the dream universe, the image, and the notion of translation.

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For me, visual storytelling is fundamental: within the world of images lies a hidden rhetoric, sustained by archetypal nodes that shape a collective imagination. This imagination gives form to what we call “real,” while at the same time transforming images into a means of making unconscious forces visible, mobilized, or transmuted.

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At present, I am also interested in the creation of a modular space capable of embodying inner transformations, through pendular processes of encounter, co-creation, and experiment-action, aimed at generating dynamics of collective reconnection.